In as much as ‘Jaws 3’ and ‘Jaws – The Revenge’ refer to the character of Martin Brody subsequent to the events of the first two movies, and creates ongoing storylines for members of the Brody family subsequent to the events of the. conversation. INTERCUT: CHARACTER #1 (into phone) Then continue the conversation, intercutting comfortably between the two characters. INTERCUT: THE TELEPHONE CONVERSATION. O–voice over B. " Instead of your second "INT. Once you have both of the sides set up you can simple write "INTERCUT with ____" and then type the entire conversation from one scene's perspective, rather than chopping back and forth constantly and losing the conversation's flow. This indicates that the scene will go back and forth between showing each character on the phone. From a nondescript house we hear: / KIM PINE / Scott Pilgrim is dating a high schooler? / 2 INT. JOE'S HOUSE - BEDROOM - NIGHT. I'm writing a screenplay at the moment and I'm not sure how the following scene should be formatted - basically it is two scenes going at the same time, repeatedly jumping back and forth between the two. Now celebrating our big 10 th Annual Screenplay Competition, we are grateful to have had the opportunity to help guide dozens of talented writers to secure literary representation, option agreements and other writing assignments, providing the stepping stones and advancing the careers of many of our winning writers. “The Wiz” (1978) had recently proven that blaxploitation, or at least film aimed at a predominantly black audience, were no longer a viable market for Hollywood production and sexploitation was running it’s course as censorship and ratings laws started to get more and more strict. MIA New York City Daily. It crops up again and again in articles from the Screenplay vs Film series. ” This is a unique book that. INTERCUT–two scenes cutting back and forth between locations simultaneously (for example, during a phone call) V. There’s no one “right” way, but I tend to choose the first option, since space is. Also, I've removed the page numbers. All background is left justified and runs the entire length of the page. You have a general idea of what. DramaQueen The new software for writers, focussed on the art of storytelling. Leonard has tattoos all over his body—all facts about the man he is after, all of which he must read anew each day. Shelves line the space and contain hundreds of screenplays. Analyze This (1999) by Peter Tolan and Harold Ramis and Kenneth Lonergan. If you've missed either Scenario 1 or Scenario 2, we. Alongside Detective Constable Kate Fleming ,they are assigned to lead an investigation into the alleged corruption by a popular and successful officer, Detective Chief Inspector Tony Gates. While a script may use most of the first act to set up the main character you want to distill this into one or two sentences that tell the reader who the protagonist is. ) 911, what is your emergency? NATE (into phone) Hi, the big hardware store on Elm's being robbed. By the late 1970’s and early 1980’s, the years of exploitation were close to running their course. More info about this movie on IMDb. This squanders the rich visual opportunities of a movie over a novel, and also settles the story into a dull rhythm. On the basis of "reader-proofing" our scripts then, here's a one stop shop for all your format queries. A note to readers: Bold and uncensored, The Austin Chronicle has been Austin's independent news source for almost 40 years, expressing the community's political and environmental concerns and. BRIAN Hello, hello. The reason to take heart from all this fat flensing is that Robert Towne was already one of the finest writers in the business, yet he had a long way to go from Draft #1 to the script they shot. Imagine purchased Gewirtz's screenplay in 2002, and the project began development at Universal, who retitled the film Inside Man. A particular parenthetical, used when the dialog is coming from a phone, over a radio, or any electronic device that will modify the vocal. Personally, I right justify treating it like a Transition – which essentially it is. The other way of using the INTERCUT method is as follows: When you use the INTERCUT method you are giving the director free reign on when to cut between the two characters. LOCATION – DAY/NIGHT. in theatre at Catholic University. He received his M. Rather, they die along with Sasha in the Mexican standoff. What it means is that a screenwriter writes a screenplay on his own initiative in the hope that someone will option it and eventually purchase it. JOE'S HOUSE - BEDROOM - NIGHT. Contact me if you wish, and keep writing!. THIS SCRIPT IS A REPRINT INCORPORATING ALL AMENDMENTS TO THIS DATE 18/4/77 CLARK AND SUPERMAN INTERCUT - LOIS' POV phone call", or "I was locked in the. Are you a business,Man or woman, politician, musician,pastor,lawy er,actor,actress,ban ker, and you. Pitch Your Script Ideas Monday, 2 November 2015. In years past, 'Apocalypse Now' was previously distributed on VHS, Laserdisc, and DVD by Paramount Home Entertainment. " Which is to save the Jersey Shore -- there's some "rich kid" named "Rex" who's dealing drugs and blackmailing summer vacationers and the rich parents of Jersey are willing to throw down a hundred grand to keep the cops out of it. Deleted Scenes – Script to Screen Part 3. A written work by screenwriters for a film, video game, or television program. One of the ways production drafts differ from spec scripts is NUMBERED SCENES. I’m out with some friends, come meet. The screenplay, written by Kubrick and Arthur C. Directed by Sandy Gotham Meehan, Edgar Howard. Then intercut for each line until Person #2 gets to the main point of their part of the conversation. Shelves line the space and contain hundreds of screenplays. the bar, finger in one ear, phone glued to the other. Watch the video below or here on YouTube. A script should still have scene headings, character names over the dialogue, and more or less resemble what a screenplay has always looked like. MANIAC He wanted to get. Today’s podcast is a conversation with Hank Steinberg, Creator of the hit television series Without a Trace. Why? For two main reasons: Script readers generally don't sweat script formatting…. Leonard has tattoos all over his body—all facts about the man he is after, all of which he must read anew each day. uk MOBIUS STRIP WRITER'S AGENT: David Warden Warden White and Associates 8840 Wilshire Blvd. I would never want to read a screenplay before seeing the movie based on it. It is a series of phone calls between people in cars. Hello, Dave! This is a great article. We can cut between both parties, or show just the caller or the recipient. Phone Conversation – Intercut. Capra reportedly jumped up and exclaimed, "There are hundreds of films with perfect edits rotting in the vaults unseen", after which they cut the film for the performance. MANIAC, 42 and completely insane, calls from a red British pay phone. Dialog or action that’s taking place simultaneously in two locations—such as a phone call, or a conversation between a jumper on a building and the people on the ground—can be tricky to write. CUT TO: INT. CHARACTER #2 (into phone) And show your second character like this. Note how you don’t have to put a parenthetical under the character name saying “on phone” or “into phone”. Mid conversation: ERICA How exactly did you get beat up?! INT. Instead, I want to cut back and forth between the two people speaking. If you do use a parenthetical for a phone conversation, just do it once at the beginning, rather than repeating it for every piece of dialogue in the conversation. dChloe is laughing and enjoying the conversation with Adam. It's more to prepare the reader for the upcoming slug line bonanza. BLAINE: Uh, it wasn’t like that. When we meet up with them again (an INT to EXT, say, or between floors), we have to assume that — just as in real life — their conversation has continued even if we weren't there to witness it. Each kind of dialogue has different formatting in screenwriting that you have to familiarize yourself with. In a screenplay, your antagonist could be either active or passive, depending on which aspect gives the most dramatic tension to your story, relative. , 5th Floor Beverly Hills, CA 90212 (310) 273-6700. An intercut is an edit where two or more actions in distinct locations are edited together into one scene. (The title, by the way, shouldn't appear anywhere on the script itself. (Just remember the MOST important formatting strategy is a kick-ass screenplay. The first 50 interviews in the series provided the material for the book, “Art of the Cut: Conversations with Film and TV Editors. LOCATION #1/LOCATION #2 - DAY If it's necessary to CUT back and forth between simultaneous actions in two different locations in the same scene, then handle your scene heading like this. This is the Crime Story Podcast with Kary Antholis where we have conversations about how and why narratives of crime and justice are told. Halt and Catch Fire uses several montages throughout the episode. want to be rich, powerful and be famous in life. With Nick Antosca, Sonya Chung, Reynolds Price, Robert Redford. This lets the director decide which end of the phone conversation we're seeing. We can have much more interesting phone conversations now that we have cell phones and people can be shopping, walking through crowded subways, or watching two camels humping at the zoo while they talk on the phone. FWB - BLUE Draft 7-14-10 2 INTERCUT W/INT. As for the staging of it, it depends how you want it to look on film. INTERCUT: Telephone Conversations In Screenplays Telephone Conversations Dialog on the telephone is a bit of a challenge because at least one of the participating characters is not physically present. What stands out to you about it from a structural standpoint? If you’d like a PDF of the Argo scene-by-scene breakdown, go here. Who is this? BRIAN Oh, come on, it hasn't been that long. Script: Calls for Tabitha to grab the phone away from Adam. , 1st Floor. These scenes are occurring at the same time. The Cabin in the Cotton US (1932): Drama 77 min, No rating, Black & White, Available on videocassette Bette Davis in her first wickedly sexy role, trying to tempt Richard Barthelmess away from virtue (Dorothy Jordan). Do you remember? JACOBY (backing and filling) It was a good war as I remember. " Michael Hauge, Collins 2007, Writing Screenplays That Sell. It is typically used when characters are conducting telephone conversations but that need not be the only time this is used. In the middle of dialing, the phone goes dead. Dialog on the telephone is a bit of a challenge because at least one of the participating characters on not physically present. Issuu Inc. mean, that or "Shawghank Red or "Network" or "American Beauty" Yeg , We h ave INTERCUT PHONE That "Chinatown". I've got a three scenes where the heroine talks to her friend on the phone. I am halfway through a script which is full to the back teeth with INTERCUT. With brilliant performance backed by a strong script, 96 is a winner, says our review. When the action moves back and forth between two scenes or shots of two characters, write, "INTERCUT. SLOVENIA - DAY MIMI So, you see, I have to get better, and quick. Another is INTERCUT, used for a phone conversation after the location of each party is established with prior sluglines. Location and time follow: INT. Texting in the Movies. Phone conversations writing screenplays Screenwriting. This screenplay may not be used or reproduced without the express written permission of the author. His live story is intercut with a conversation with Kevin. She has just been arrested and is charged with state treason; she is facing up to 20. There's a little room. Throws up in it. Eve tells Wanda and Buzz of the deception in person rather than on the phone in the script. sticking to the script) I have come to surrender the North. The standard screenplay format is devised for simplicity of reading by many different departments in addition to roughly timing out to one minute of screen time for one page of script. FENSTERWALD (ON SPEAKER PHONE) Leo? MARVIN (INTO SPEAKER PHONE) Carswell? INT. If you write all your scenes with sluglines beginning with INT. In the search bar, type the word “screenplay. First establish both locations with a scene heading. Telephone Script: Leaving a Phone Message & Making A Phone Call. The two locations aren’t changing, but there are two separate locations. JOE'S BEDROOM - NIGHT Joe dials a number. Lots of writers have asked me on Twitter in particular about phone calls recently. The Voice-over Narration in Screenplays May 16th, 2014. This doesn't mean you should jettison all traces of proper formatting. A comedy about a psychiatrist whose number one-patient is an insecure mob boss. BRIAN Hello, hello. This lets the director decide which end of the phone conversation we’re seeing. " So in this sense, the INTERCUT actually gives license to the director. Phone conversation between Bobby and Jacques, No mention of the intercut shot of the black dog barking, as seen in. I’ve seen it done in so many different ways now, that I have no idea if there is a more uniform way of doing it, or a preferred way. More info about this movie on IMDb. This lets the director decide which end of the phone conversation we're seeing. her phone conversation O. There are three possibilities to handle this: The audience neither sees nor hears the other party. " Then you can just write out their conversation as if they were in the same room. Get some men over to the old ironworks factory on Victoria Road. Jailbreak iOS 9. Can be written with standard scene breaks. BEN'S HOUSE - DAY ADAM (Hangs Up) Ben takes the phone from Adam and is in a foul mood after the phone call. INTERCUT PHONE CONVERSATION ROSE Mac, it's me. A script should still have scene headings, character names over the dialogue, and more or less resemble what a screenplay has always looked like. Screenplay School: How to Format a Telephone Scene in Three Different Ways September 29, 2018 September 29, 2018 Ian Su This is an introduction to a new series of posts I'm doing on Screenwriting. FADE IN/FADE OUT Used to start and end the script. Roger Corman is a fascinating icon in American popular culture. the caller dialing the phone), then set up the second location (i. This is done so that people are able to identify the difference right off the bat without having to read too closely. Janine is not in the script. I read in a magazine that you're the best shrink to treat artistic souls. As a critic, in fact, it would be a violation of my responsibilities (and ethics) to do that. Alongside Detective Constable Kate Fleming ,they are assigned to lead an investigation into the alleged corruption by a popular and successful officer, Detective Chief Inspector Tony Gates. The phone falls to the floor, then the Motorist follows suit. All the text is the same, but the spacing might be a bit different here and there. CHESTER What’s up, bro! What are you up to? INTERCUT - PHONE CONVERSATION JAKE Nada, just chillin. The INTERCUT is mainly used for phone conversations; its purpose is to show both speaking parties, but it essentially communicates to the reader (and the eventual director): "Show whomever you want to show when you want to show him or her. Full text of "Straight Outta Compton Screenplay By Jonathan Herman And Andrea Berloff" See other formats. He looks down at the phone. " Before you can use Intercut, you have to establish the two scenes you're intercutting between. Here is a phone call script example that we created for selling recruiting services to a hiring manager. Here you would setup the first location with a brief scene (i. Just me at my computer. All wars are nothing more than madness disguised as the patriotic ventures of. WALKER You're a very small minority to take on the Government -- and the Empire. Mia speaking. The advice and rantings of a Hollywood script reader tired of seeing screenwriters make the same mistakes, saving the world from bad writing one screenplay at a time. Inside Man was the first produced script by former lawyer Russell Gewirtz. JACK'S HOME ( if your previous slug line already established this general location, then get specific - i. Telephone Conversations. Based on the novel by Rick Moody. The player stands motionless for a few seconds and then commences waggling his bat as if preparing to hit. What is a Screenplay? In the most basic terms, a screenplay is a 90-120 page document written in Courier 12pt font on 8 1/2" x. This is the Crime Story Podcast with Kary Antholis where we have conversations about how and why narratives of crime and justice are told. This screenplay may not be used or reproduced without the express written permission of the author. "Readers in Hollywood do a great deal of inductive reasoning, which goes something like this: "I just read 99 screenplays, they were all horrible, and they were all written in improper format. The phone on her nightstand rings. INTERCUT BETWEEN can be used as a slugline for a phone conversation after the location of each party is established with prior sluglines. I also demonstrate how to write an intercut phone conversation between two different characters in different settings. Ansonia Feathers made the arduous journey to Hodgeman County to visit the last resting place of her only daughter. He checks the connections on the phone and then follows the wiring to the wall. The two main issues: 1) "How do I format a one-sided telephone conversation?" and 2) "How long should a telephone conversation be in a script?". One easy way to show one character interrupting another is to use double-dashes or an ellipsis to indicate the first character's dialogue is being interrupted. With brilliant performance backed by a strong script, 96 is a winner, says our review. GANDHI If you are a minority of one, the truth is the truth. A woman behind the newsdesk counter calls over to Sol, holds up the phone receiver. Then add an INTERCUT — PHONE CONVERSATION and continue the conversation as if they’re in the same location. A FIGURE roams hig egtate,ce phone pregged ta hig ear. If you want to show both sides of the conversation, write: INTERCUT TELEPHONE CONVERSATION Briefly describe where the other caller is located, and then write the dialogue as usual. NAVY NCIS Production 008 (BEGIN TELEPHONE INTERCUTS) (SCENE CUT) Lately I noticed that his conversations with Nasir seemed longer than his. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. INTERCUT PHONE CONVERSATION That newg. He turns to a phone-like apparatus nearby, shifting the table into neutral as he turns. This is the best glossary of video and film production term. mean, that or "Shawghank Red or "Network" or "American Beauty" Yeg , We h ave INTERCUT PHONE That "Chinatown". The next statements are intercut with the wrench approaching the Motorist. We can cut between both parties, or show just the caller or the recipient. ADVICE How to use INTERCUT (self. Tagged: characters, film, outlines, screenplay, screenwriting, script, scriptwriting, structure, terms A two-hander is a movie where there are two main characters of roughly equal importance to the story, and whose arcs are given roughly equal screen-time. Stage center. She pulls out a cellular phone and dials. 7 COMMON SCRIPT FORMATTING ISSUES (TOTALLY DEBUNKED) BROUGHT TO YOU BY… 2. If you want to show both sides of the conversation, write: INTERCUT TELEPHONE CONVERSATION Briefly describe where the other caller is located, and then write the dialogue as usual. Why do I fall victim to this most horrific of plot devices every time I write a script? Most screenwriting gurus say the same thing. How do you write an Intercut phone conversation screenplay? You write an intercut phone conversation by first establishing the locations of both people on the phone with a scene heading and the first line of dialogue you want them to say. val1 May 8, 2018 at 7:10 am. Sheridan: (to phone) The hell you don't, Morris. But also the one that seems to cause the most problems in spec scripts. INTERCUT: CHARACTER #1 (into phone) Then continue the conversation, intercutting comfortably between the two characters. I read in a magazine that you're the best shrink to treat artistic souls. I do remember while watching the credits,that I reflected. Every Monday-Friday at noon Eastern / 9AM Pacific, I will upload a post with a prompt for writing a script scene. list of errors and annoyances to perfect your spec script. Telephone conversations can be tricky. How to Write an Intercut Phone Conversation Screenplay. LOCATION #1 - DAY Alternatively, you can establish both locations separately. 7 It's important that no one leeks…should be leaks. Anya tries to balance on the arm of Xander's chair. Mulwray scenes are intercut (a lot) in script #1, only once in the rewrite, and none at all in the film. I've got a three scenes where the heroine talks to her friend on the phone. But we really emphasize the return to the phone booth by adding the Hwy. A mode of exposition where the camera switches between two groups of people as they receive the same information. Locate a screenplay template. " Instead of your second "INT. CUT TO: INT. He almost steps on a dog sleeping on the floor, mouths "shit". There's a little room. In years past, 'Apocalypse Now' was previously distributed on VHS, Laserdisc, and DVD by Paramount Home Entertainment. SLOVENIA - DAY - SAME TIME INTERCUT MIMI/RUBEN. INTERCUT - TELEPHONE CONVERSATION STEVEN Hello. INTERCUT - SITTING ROOM. (and there SHOULD be a period there) HRYSLER (there’s no “t” in. JOE'S HOUSE - BEDROOM - NIGHT. Telephone Conversations. If anyone could answer this, it would be much appreciated. I also demonstrate how to write an intercut phone conversation between two different characters in different settings. So you can see that when the Action refers to Jessie dropping the phone, it's obvious that the director will have to cut to that location. DOC (as if speaking on a phone) Hello (listening) Yes (listening) Yes, they are. Audiences watching Busan’s opening night film “The Horse Thieves” will get to see a universal and somewhat linear tale of greed, cruelty and man’s uneasy place in nature. 8 Instead of writing BACK AND FORTH BETWEEN JUAN AND ANTONIO, just write. JOE You’re filtered? INTERCUT WITH: EXT. This is done so that people are able to identify the difference right off the bat without having to read too closely. This is the truly final draft used on set by the production people, actors, and director to make the movie from the screenplay. Personally, I right justify treating it like a Transition – which essentially it is. I'm curious about your format for writing a one-sided phone conversation. no portion of this script may be performed, displayed or reproduced by any means, or quoted or published in any medium without prior written consent. The player stands motionless for a few seconds and then commences waggling his bat as if preparing to hit. The conversation between Kylie and Egon is shorter, and it ends with Casey trying to look innocent when Egon mentions the ear wax in his slime sample. For professional video production services call Eagle Video Productions, based in Raleigh NC 919-818-5556. MARY’S KITCHEN – NIGHT Mary paces nervously, then punches numbers on her phone. The most common way is to use an (INTERCUT), formatted as a General from the toolbar above the script. Dave, I do have a question, not related to this, but relating to being a freelance script consultant/doctor/analyst. Often, a part of continuity editing is to suggest or explain cause. The two main issues: 1) "How do I format a one-sided telephone conversation?" and 2) "How long should a telephone conversation be in a script?". There's no section, for example, on how to format a FLASHBACK phone conversation INTERCUT with a DREAM SEQUENCE fight scene on top of a moving train. Dialog or action that’s taking place simultaneously in two locations—such as a phone call, or a conversation between a jumper on a building and the people on the ground—can be tricky to write. Screenplay ColeHagg-Formatted This is a very simple template using the basic setup from the "red book" -- The Complete Guide to Standard Script Formats - Part 1: The Screenplay by Hillis R. The other way of using the INTERCUT method is as follows: When you use the INTERCUT method you are giving the director free reign on when to cut between the two characters. Please read Understanding catalogue records for help interpreting this information and Using footage for more information about accessing this film. Walker measures Gandhi with a little surprise. "Readers in Hollywood do a great deal of inductive reasoning, which goes something like this: "I just read 99 screenplays, they were all horrible, and they were all written in improper format. She grabs a box of cereal and tosses it in her cart. You might be surprised, then, by how common it is in the animation field to start writing a script before talking to anyone. Script: Calls for Tabitha to grab the phone away from Adam. Screenplay template pages are used to write your screenplay without adjusting the font, page size and margins because format based screenplay template is according to the rules of screenplay writing. JOE’S HOUSE – BEDROOM – NIGHT. Erica, still on the phone with Tyler; upset. Please share it with your colleagues and friends. Prominent on his desk is a copy of Marvin's book. O–voice over B. This article will teach you how to write an intercut in a screenplay or teleplay. conversation. no one is authorized to sell, transfer or dispose of the script. The seventh installment of the X-Men universe was the successful one at the box office, it grossed $750 million. Movie Script. The other way of using the INTERCUT method is as follows: When you use the INTERCUT method you are giving the director free reign on when to cut between the two characters. Rosenberg, who is credited onscreen as executive producer, is a friend of Gewirtz and spent a year assisting in the script's development. If we are cutting between the two locations (called "intercutting"), and both parties are seen, there are two clean ways to handle this. This lets the director decide which end of the phone conversation we’re seeing. intercut shots : usually refers to a series of shots, consisting of two simultaneous events, that are alternated together to create suspense; intercutting can also consist of shots of two people involved in a telephone conversation : Example: Speed (1994) - the bomb, the bus' speedometer, other action, all intercut. This is the truly final draft used on set by the production people, actors, and director to make the movie from the screenplay. CUT TO: EXT. I’m writing a scene that is on a phone call. CLOSE ON If you really want to emphasize a detail, a clue, then this is the way to do it. CUT TO: INT. Rests his head on the file cabinet. KITCHEN) Jack is pacing waiting for Jill to answer the phone. SCREENPLAY GENRE - CRIME int. I need to understand how to (not why/why not to) write a SPLIT scene phone conversation, followed by two longer scenes that are INTERCUT. Here is a phone call script example that we created for selling recruiting services to a hiring manager. You guessed it, we are back for Scenario 3--our final post in the "How To Format A Phone Call in Traditional Screenwriting" series. Stage center. The two places where it strains credulity is a phone conversation to have tea with Serizawa, where the stand-in manages to hide his face with his arm except for the signature eye-patch he sports, and a hallway encounter with Yamane, where the stand-in does not resemble Takashi Shimura, with the exception of white hair. ANSWER Simply establish the two locations and write out the telephone conversation as follows: INT. … Continue reading Screenplay School: How to Format a Telephone Scene in Three Different Ways. Thank you for your help. The format of a screenplay makes it as easy as possible to tell background from action and conversation. sticking to the script) I have come to surrender the North. net for tons of genre content | HorrorNews. More info about this movie on IMDb. Scene Descriptions. Check out the linkage in each section for more info, plus you can download The B2W 1 Page Format Ref Guide HERE. Frank Canino was born and raised in Chicago. The title page is vital as it has the key information about the script such as, obviously, the title, and the name of the screenwriter and/or co-writers. ANTHONY (O. The first 50 interviews in the series provided the material for the book, “Art of the Cut: Conversations with Film and TV Editors. That way lies over-writing. Is he the only sane man in the room? BEN (trying to carry on an actual conversation) The Mexican War. Whip pan - is a type of pan shot in which the camera moves sideways so quickly that the picture blurs into indistinct streaks. Who is this? BRIAN Oh, come on, it hasn't been that long. ” This is a unique book that. Kramer crosses over to the telephone. INTERCUT: PHONE CONVERSATION DAN Yeahhhh, how are you feeling?. I don't want to hear one person in a voiceover. The conversation INTERCUTS. The screenplay, written by Kubrick and Arthur C. Frank Canino was born and raised in Chicago. This is so you don't have to keep writing scene headings every time you. phone call was needed. This will launch the screenplay-formatted document. Include address, phone number and email RENDEZVOUS AT WRITERS STORE John & Jane Smith The Writers Store 2040 Westwood Blvd. APARTMENT COMPLEX - NIGHT SETH FERGUSON trots down the steps from his apartment, phone in hand. 7 Script Formatting Issues Debunked (Text Transcript) Key #1: Format phone conversations using "INTERCUT" Description: There are a couple different ways to do this, but you should always be using INTERCUT. NCIS Script. The other way of using the INTERCUT method is as follows: When you use the INTERCUT method you are giving the director free reign on when to cut between the two characters. 21) Umberto D.